Design: Tereza Novรกkovรก, Jakub Hoลกek

๐€ ๐ฉ๐ฅ๐š๐œ๐ž ๐ฐ๐ก๐ž๐ซ๐ž ๐ง๐จ๐ญ๐ก๐ข๐ง๐  ๐ข๐ฌ ๐ซ๐ž๐š๐ฅ, ๐›๐ฎ๐ญ ๐ž๐ฏ๐ž๐ซ๐ฒ๐ญ๐ก๐ข๐ง๐  ๐ฉ๐ž๐ซ๐Ÿ๐จ๐ซ๐ฆ๐ฌ ๐ซ๐ž๐š๐ฅ๐ข๐ญ๐ฒ.

 

~๐—ฑ๐—ฒ๐˜€๐˜๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜€๐—ฎ๐˜๐—ถ๐—ผ๐—ป ๐—ผ๐—ณ ๐—ณ๐—ถ๐˜…๐—ฒ๐—ฑ ๐˜๐—ฟ๐˜‚๐˜๐—ต๐˜€

~๐—ณ๐—ถ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐—ฎ๐˜€ ๐—ฐ๐—ฟ๐—ถ๐˜๐—ถ๐—ฐ๐—ฎ๐—น ๐˜๐—ผ๐—ผ๐—น

~๐—บ๐—ฒ๐˜๐—ต๐—ผ๐—ฑ ๐˜๐—ผ ๐—ฒ๐˜…๐—ฝ๐—ผ๐˜€๐—ฒ ๐˜„๐—ต๐—ฎ๐˜ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†-๐—ฑ๐—ฎ๐˜† ๐—ป๐—ฎ๐—ฟ๐—ฟ๐—ฎ๐˜๐—ถ๐˜ƒ๐—ฒ๐˜€ ๐˜€๐—ถ๐—บ๐—ฝ๐—น๐—ถ๐—ณ๐˜†

~๐—ป๐—ผ๐˜ ๐—ฑ๐—ฒ๐˜€๐—ฐ๐—ฟ๐—ถ๐—ฝ๐˜๐—ถ๐˜ƒ๐—ฒ ๐—ป๐—ผ๐—ฟ ๐—ฝ๐—ผ๐—ฒ๐˜๐—ถ๐—ฐ

~๐—ฐ๐—ผ๐—บ๐—บ๐—ฒ๐—ป๐˜๐—ฎ๐—ฟ๐˜† ๐—ผ๐—ป ๐—ฟ๐—ฒ๐—ฎ๐—น๐—ถ๐˜๐˜† ๐˜๐—ต๐—ฟ๐—ผ๐˜‚๐—ด๐—ต ๐—ณ๐—ถ๐—ฐ๐˜๐—ถ๐—ผ๐—ป

 

Rearrange the debris into forms that suggest: the collapse was never the end, only a message.

 

Some fictions disguise reality, others expose it, *interrogating* what still performs as real; *as method one that exposes rather than conceals*. A means to expose systems under pressure, to question how we understand truth, memory, and meaning~ applying pressure, not offering relief. The allegories to be picked apart, mythologized, re-coded, or left to rot. Instead of clean endings, residual chaos. In this slow collapse, the works trace patterns between the absurd, the haunted, and the systemically silenced.

 

๐‚๐ฎ๐ซ๐š๐ญ๐ข๐จ๐ง: Tereza Novรกkovรก
๐•๐ข๐ฌ๐ฎ๐š๐ฅ๐ฌ: Tereza Novรกkovรก, Jakub Hoลกek